29.4.10
Eye Want: TMD Funnel Neck Trench
$200 at Top Man, part of the TM Trench Coat Project. Love the lapis lining:
27.4.10
Style Watch: Rat Fur
Nutria (aka GIANT RAT) fur is so the future. I will never forget my first nutria sighting when I was living in Florence. The little bugger was walking underneath the Ponte Vecchio along the filthy arno when my eyes caught its attention. I almost shrieked in disgust, until now. Gilles Mendel and Alabama-based Billy Reid are using it in their Fall/Winter '10 collections. Get ready, Louisiana, we're coming for your roadkill.
Watch out, Master Splinter, we're coming for your children.
Watch out, Master Splinter, we're coming for your children.
21.4.10
Arm Candy: Marc Jacobs' Donut Tattoo
If you know me, you know that I may or may not be obsessed with donuts. Perhaps it's the LA in me, or the rebirth I experienced at Donut Plant, or maybe it's the Baked Potato King on 36th & Broadway who provides me with my weekly fix. Whatever it is, MJ decided to get one on his elbow. Feast your eyes on this:
Image © by Scott Campbell
Image © by Scott Campbell
20.4.10
Eye Want: Mr. Bathing Ape by United Arrows
Could it be? Did A Bathing Ape stop in Williamsburg and grow a hipster mustache? A Bathing Ape (BAPE), Regal Shoes and United Arrows have all teamed up in Japan for a Spring/Summer 2010 collection available exclusively at United Arrows. It's a refreshing departure from the more urban conversation pieces that BAPE is known for. I'm obsessed with the shoes which retail for around $210. Notice the subtle detailing on the loafers (an embossed mustache) and oxfords (the BAPE signature star on the toe).
18.4.10
16.4.10
Film Fashion: The Red Shoes
Directed by Michael Powell & Emeric Pressburger
Costumes by Hein Heckroth
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Costumes by Hein Heckroth
8.4.10
Style Watch: Pants That Fit
This gives new meaning to boyfriend jeans. Ladies and gents, don't let your boyfriends do this to their jeans. NY State Senator Eric Adams has put up six billboards around Brooklyn in the fight against saggy pants. Since there's nothing better happening in our state or world, for that matter, I can't blame him. As you've probably already guessed as you're yelling at the screen, these billboards have caused controversy. Many observers have pinned it as racist and stereotyping African-Americans. In today's WWD, Russell Simmons responds "There is no connection to saggy pants and the ability to succeed. Just look at what buttoned-up America has done to the rest of the world and each other." Church. Well, if the pants fit...you can save money on a belt.
image © by AP photo
image © by AP photo
5.4.10
3.4.10
First Look: Ralph Lauren F/W 2010
A look from the fall/winter collection:
Image by Ralph Lauren
Feature by WWD
Image by Ralph Lauren
Feature by WWD
1.4.10
About Town: Henri Cartier-Bresson: The Modern Century @ MoMA
April 11–June 28, 2010
Member preview starts Wednesday, April 7th
From the MoMA Web site:
Henri Cartier-Bresson (1908–2004) is one of the most original, accomplished, influential, and beloved figures in the history of photography. His inventive work of the early 1930s helped define the creative potential of modern photography, and his uncanny ability to capture life on the run made his work synonymous with “the decisive moment”—the title of his first major book. After World War II (most of which he spent as a prisoner of war) and his first museum show (at MoMA in 1947), he joined Robert Capa and others in founding the Magnum photo agency, which enabled photojournalists to reach a broad audience through magazines such as Life while retaining control over their work. In the decade following the war, Cartier-Bresson produced major bodies of photographic reportage on India and Indonesia at the time of independence, China during the revolution, the Soviet Union after Stalin’s death, the United States during the postwar boom, and Europe as its old cultures confronted modern realities. For more than twenty-five years, he was the keenest observer of the global theater of human affairs—and one of the great portraitists of the twentieth century. MoMA’s retrospective, the first in the United States in three decades, surveys Cartier-Bresson’s entire career, with a presentation of about three hundred photographs, mostly arranged thematically and supplemented with periodicals and books. The exhibition travels to The Art Institute of Chicago, the San Francisco Museum of Modern Art (SFMOMA), and the High Museum of Art, Atlanta.
The exhibition is organized by Peter Galassi, Chief Curator, Department of Photography.
The exhibition is supported by The William Randolph Hearst Endowment Fund.
Additional funding is provided by The Robert Mapplethorpe Foundation, Robert B. Menschel, and Marie-Josée and Henry Kravis.
Member preview starts Wednesday, April 7th
From the MoMA Web site:
Henri Cartier-Bresson (1908–2004) is one of the most original, accomplished, influential, and beloved figures in the history of photography. His inventive work of the early 1930s helped define the creative potential of modern photography, and his uncanny ability to capture life on the run made his work synonymous with “the decisive moment”—the title of his first major book. After World War II (most of which he spent as a prisoner of war) and his first museum show (at MoMA in 1947), he joined Robert Capa and others in founding the Magnum photo agency, which enabled photojournalists to reach a broad audience through magazines such as Life while retaining control over their work. In the decade following the war, Cartier-Bresson produced major bodies of photographic reportage on India and Indonesia at the time of independence, China during the revolution, the Soviet Union after Stalin’s death, the United States during the postwar boom, and Europe as its old cultures confronted modern realities. For more than twenty-five years, he was the keenest observer of the global theater of human affairs—and one of the great portraitists of the twentieth century. MoMA’s retrospective, the first in the United States in three decades, surveys Cartier-Bresson’s entire career, with a presentation of about three hundred photographs, mostly arranged thematically and supplemented with periodicals and books. The exhibition travels to The Art Institute of Chicago, the San Francisco Museum of Modern Art (SFMOMA), and the High Museum of Art, Atlanta.
The exhibition is organized by Peter Galassi, Chief Curator, Department of Photography.
The exhibition is supported by The William Randolph Hearst Endowment Fund.
Additional funding is provided by The Robert Mapplethorpe Foundation, Robert B. Menschel, and Marie-Josée and Henry Kravis.
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